Return of the Prodigal Son
Family plaster altar, classic Coca-cola bottle, rope / oil and pastel on paper mounted on family portrait.
Installation of variable dimensions
Shown for the first time in the Personal Exhibition “Sobrevivientes”, Domingo Ravenet Art Gallery, Havana.
Ideological labyrinth of decadence and authoritarianism: From utopian fiction to the paradigm of decadence and self-pity. The rite of resignation versus dogma and extreme ideologization. Chronicle of self-cloister, dissent, disappointment and social, political disaffection.