Dead Time (Ephemeral Clandestine Installation)
Steel, wood, plastic and textiles.
Installation of variable dimensions
Shown (itinerantly and clandestinely) in different locations in Havana during the month-long exhibition “Survivors” exhibited at Domingo Ravenet Gallery.
Ideological labyrinth of decadence and authoritarianism: From utopian fiction to the paradigm of decadence and self-pity. The rite of resignation versus dogma and extreme ideologization. Chronicle of self-cloister, dissent, disappointment and social, political disaffection.